Source Juxtapoz Magazine – Juxtapoz Magazine – Home  The Photographers’ Gallery in London is currently hosting a retrospective exhibition of the work of Chris Killip, one of the most influential figures in British photography. This exhibition, which features over 140 works, is the most comprehensive survey of Killip’s career to date and includes previously unseen…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  After being a mostly casual observer to a summer of seemingly unending airline nightmares, I admit to feeling a little anxiety about whether a trip to Cincinnati in October had the right amount of potential payoff from a risk-reward perspective. If there’s one thing the pandemic taught…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  On the occasin of her solo show at ATM Gallery in NYC, we take a look in this A Portfolio at the works of Anaja Hvastija Gaia. Bittersweeet is the Slovenian painters first solo show in the USA, where the figures are both in relation to each other…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  The fact that in lieu of a press release, the painter and installation artist Friedrich Kunath provided a poem is apt. For his solo show, I Don’t Know The Place, But I Know How To Get There, on view at Blum & Poe in Los Angeles, it feels like…

Source artforum.com  The Baltimore Museum of Art (BMA) has announced Asma Naeem as its next director, effective February 1. Naeem is the first person of color to lead the institution since its founding in 1914. She steps

Source Colossal   “Water Woman” (2017), bronze, 91 x 165 x 178 centimeters. All images © Wangechi Mutu, courtesy of Phaidon, shared with permission A new monograph published by Phaidon delves into the multi-faceted work of Kenyan-American artist Wangechi Mutu (previously). The first of its kind, the volume packs hundreds of artworks, glimpses into Mutu’s Nairobi studio, and…

Source artforum.com  Descendants of a Jewish family that fled Nazi Germany have launched a suit against New York’s Solomon R. Guggenheim Museum, demanding the return of a $200 million Picasso painting. Heirs of Karl Adler

Source artforum.com  “I have decided instead to do the whole dance in public. To show my body moving through some positions. I am not doing this to overwrite the blank. It’s still there, around and between the gestures.”