Source Juxtapoz Magazine – Juxtapoz Magazine – Home  “I am constantly in limbo,” Jillian Evelyn tells me on a summer day from her studio in Los Angeles, a relatable frame of mind for the times we live in. I have always considered Evelyn’s work to possess directness, as well as providing room to breathe. Her…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  There was something telling that Anna Park disclosed this week as she opened her solo show, Mirror Shy, at Blum and Poe. “When I moved to NYC, there was just so much going on, and I was taking it all in and painting that feeling. I think…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  The photographs in Gli Isolani (The Islanders) by Alys Tomlinson, inhabit a hinterland between fiction and reality. Over a period of two years, Tomlinson documented the traditional costumes and masks worn during festivals and celebrations on the islands of the Venetian lagoon, Sicily and Sardinia.

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  What are we talking about, generally, when we refer to “the aesthetics of the digital”? Social media, of course—especially Instagram, that deep trough of contemporary visual culture—but also e-commerce, porn, photo manipulation and graphics programmes, video games, CGI and, to a lesser extent, virtual reality and augmented…

Source artforum.com  Spencer Finch’s efforts to rediscover and resurrect moments of ephemerality, often through re-creating specific instances of light and color—such fleeting treasures—speak to our instinct to wrest control

Source artforum.com  Major cultural institutions across London are facing extreme budget cuts as funding from Arts Council England moves to suburban areas and smaller cities around the country at the behest of the UK

Source artforum.com  ONE PROBLEM with seeing an exhibition with someone else is that rhythms of looking are so often at odds—either they move too slowly or not slow enough, or pay too much attention to stuff that you do

Source artforum.com  For Galerie Molitor’s inaugural exhibition, Ketuta Alexi-Meskhishvili expands on her photographic practice to meld image and architecture. Dusty Days, 2022, an enormous ink-jet print on three strips of