Source Design You Trust  Linda Nguyen Lopez is an artist who creates delightful and whimsical ceramic sculptures that seem to be in motion, as if they are about to wriggle out of the room. Her ongoing series, Dust Furries, features sculptures that appear to be cleaning up the space around them. The sculptures are designed…

Source Colossal   “My Joy My Joy My Joy” (2021), acrylic felt, polyester fiber fill, pyrite, glass beads, sea glass, vinyl sequins, white abalone shell, metal base, nylon thread, aluminum sculpture wire, and artificial sinew, 16.5 × 13.3 × 22 inches. Installation view of ‘The Body Electric’ at SITE Santa Fe, 2022. Photo by Shayla Blatchford.…

Source artforum.com  “HERE COME THE DYKES! Here come the dykes!” A few seasoned attendees began the chant, as if to hasten the proceedings, celebrate our gathering in public space, and denote a protest action in one

Source artforum.com  Accompanying Thaddaeus Ropac’s expansive solo exhibition of Joseph Beuys is a second, smaller show curated by Anthony Gormley that places works by both artists in dialogue. Unsurprisingly, Gormley’s

Source artforum.com  In his first solo exhibition since his graduation from the Frankfurt Städelschule last year, the Amsterdam-based painter W. Rossen presents five new works. While compact, the show is rich with art

Source Colossal   “Lattice” (2022), cardboard, vellum trace paper, 76.7 x 116 x 24.5 inches, on Evelyn Lewis Campus, Staten Island in the collection of the NYC Department of Education, Public Art for Public Schools. All photos by Etienne Frossard, courtesy of the artist, shared with permission Although riders aren’t able to board Daniel Agdag’s rollercoaster, the…

Source artforum.com  The first thing we see upon entering Pablo Ferrer’s exhibition of paintings “Repetitions” is a text by the artist in which he reflects on the value of repetition as reiteration and rehearsal. What

Source artforum.com  This is the first in an occasional series of columns in which curators talk about upcoming group shows or thematic exhibitions. ABOUT FIVE YEARS AGO, I started asking the questions that would lead