Source Colossal   Terracotta Blues’ series wheel thrown by Chiara Zoppei. All images © Clara Holt, shared with permission Drawing on the long history of Mediterranean ceramics, Italian artist Clara Holt covers the surfaces of vessels, tiles, and tablets with playful, colorful narratives. Inspired by the region’s ancient decorative pottery like the Minoan octopus flask or…

Source artforum.com  “Banditry” marks the first in a series of exhibitions curated by Yaby (Beatriz Ortega Botas and Alberto Vallejo) about reading as a process entangled in power relations. Claudia Pagès underscores the

Source artforum.com  GRENFELL WAS FILMED in December 2017, about six months after the catastrophic fire of June 14, when seventy-two people were killed as the tower, a social housing block in North Kensington, London,

Source Artsy Shark  Have you convinced yourself of any of these common beliefs that are destructive to artists in business? Let’s set them straight. The post The Myth of the Starving Artist appeared first on Artsy Shark.

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Simply put, his designs are cool, calm, and collectible, beckoning the senses in almost luxuriant comfort and form. I chatted with San Francisco-based designer Evan Kinori about how he’s been inspired to tread out of bounds and still make such classic, confident clothing.

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Martine Johanna’s newest exhibition explores the relationship between public perception and private self-image. With a focus on the role of women in society, her work balances surrealist abstraction with complex narratives, drawing inspiration from her childhood and media. For these seven new paintings Johanna drew inspiration from Titian’s Venus…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Josie Morway’s incredible oil-on-panel paintings are hyper-realistic and yet also completely fantastical. Her menagerie of animal subjects are caught in still-life tableaus that subtly comment on environmental and global issues while evoking reverence and capturing symbolic moments seen in traditional Renaissance religious portraiture.

Source artforum.com  “A Few Ways to Win the World” is a show of gazes. It opens with the direct stares of the Slavic fairies whose charms lead men to their death in Martina Vacheva’s Samodivi, 2019, and of the lone dancer