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Alejandro Aguilar Canela finds profound value in what may be seen as some of our bleakest emotions. Delving into subject matters such as depression, anger, abandonment, fear, individuality, sexuality, and more, Canela strives to understand the multitudes within each, and how their shadowy paths have the ability lead us somewhere brighter.
Though occasionally venturing into sculpture, the Austin, Texas-based artist specializes in drawing. His works range in size, with many of his compositions spanning two to four feet wide on both traditional paper and vellum. Canela largely employs graphite and fine line mechanical pencil, welcoming “mistakes” or inadvertent motifs—such as smudges and unplanned marks—that mirror his personal philosophy of embracing adverse emotions.
“If I Could Protect You” (2024), mechanical pencil on paper, 14.3 x 14.4 inches
“There is another side to our own darkness, one that can reveal new perspectives and accelerate personal transformation,” the artist says. “It’s more about not discarding what might be considered unwanted, but instead finding some use for it.” As a result, these innermost feelings often manifest through unique characters, as Canela creates human-like forms to give them shape.
Several of Canela’s works are included in this year’s Critic’s Choice exhibition at Ki Smith Gallery in New York, which is on view through September 6. Find more from the artist on Instagram.
“A Rodent in the House 01” (2025), 22.5 x 30.25 inches
“How to Stand Against Solitude” (2024), 25.4 x 34.4 inches
“If You’re Here, Congratulations” (2026), mechanical pencil on paper, 22.4 x 30.3 inches
“Undone B” (2023), mechanical pencil on paper, 36 x 36 inches
“Sad Boy” (2025), mechanical pencil on paper
From the artist’s “Grey Drawings” series
“Idol”
“Wet Dog” (2025), mechanical pencil on paper
“Mother”
From the artist’s “Grey Drawings” series
“A Rodent in the House 03” (2025), 22.5 x 30.25 inches
Installation view of ‘Critic’s Choice’ at Ki Smith Gallery. Image © Roman Dean, shard with permission
Installation view of ‘Critic’s Choice’ at Ki Smith Gallery. Image © Roman Dean, shard with permission
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