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From the beaded phrases of Jeffrey Gibson’s sculptural weavings to Jaune Quick-to-See Smith’s canoe series to Raven Halfmoon’s fingerprint-textured tributes, a new exhibition marks the largest presentation of American Indigenous work in the U.K. to date.
Opening next week, Hold to This Earth at Yorkshire Sculpture Park features nearly 70 pieces by 38 artists, which in turn represent 35 Tribal Nations. “(The artists) reference and honour ancestral knowledge whilst being steadfastly contemporary, asserting a powerful presence and countering narratives of erasure that too often position Indigenous cultures only in terms of the past,” says a statement from Tia Collection, from which the pieces are drawn.
Jeffrey Gibson, “TO MY NATION” (2017), glass beads, artificial sinew, trading post weaving, metal studs, copper and tin jingles, nylon fringe, acrylic felt, canvas, wood. © Jeffrey Gibson. Image courtesy of the artist and Roberts Projects, Culver City
Colossal readers will recognize works by Cannupa Hanska Luger, Dyani White Hawk, Nicholas Galanin, and more. The range of media highlights the diverse materials and approaches that Indigenous contemporary artists use and nods to cultural traditions, heritage crafts, and precious landscapes while also considering socio-economic issues, visibility and representation, and technology.
“Materials such as clay, hide, wool, beads, and natural pigments become carriers of powerful stories, memory, and tradition, rooted in connection to the earth,” says Tia Collection. “Newer modes of expression and understanding growing out of digital culture also speak to the shifting landscapes of Indigenous life in the 21st century.”
Hold to This Earth opens on June 13 and continues through April 18, 2027, in Wakefield. Keep up with exhibitions featuring works from the Tia Collection on Instagram.
Cannupa Hanska Luger, “Sweet Land: Coyote 2” (2020), mixed media. © Cannupa Hanska Luger. Photo by James Hart Photography
Zoë Urness, “No More Stolen Sisters” (2019), analog capture-digital chromogenic output on Fuji Crystal Archive paper with UV over laminate mounted to Dibond aluminum substrate. © Zoë Urness. Image courtesy of the artist
Raven Halfmoon, “The Guardians” (2024). © Raven Halfmoon. Photo courtesy of Salon 94
Teresa Baker, “Infinite” (2023), buckskin, yarn, spray paint. © Teresa Baker, courtesy of the artist and de boer, Los Angeles. Photo by Jacob Phillip
Nicholas Galanin, “Ancestral Map of Return” (2023), pigment and acrylic on deer hide. © Nicholas Galanin. Image courtesy of the artist and Peter Blum Gallery, New York. Photo by Jason Wych
Rose B. Simpson, “Tonantzin” (2021), ceramic, steel, leather, brass. © Rose B. Simpson. Image courtesy of Chiaroscuro Contemporary Art. Photo by Addison Doty
Marie Watt, “Skywalker/Skyscraper (Twins) Flint & Sapling” (2020), reclaimed wool blankets, steel I-beam. © Marie Watt. Image courtesy of Marie Watt Studio and MARC STRAUS, New York
Sheldon Harvey, Untitled, mixed media. © Sheldon Harvey. Photo by James Hart Photography
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