If you were to read Juxtapoz.com over the last few months, you will know that I have been harping on this idea of “hazy loneliness,” and I’m really happy that Fredericks & Freiser described Danielle Roberts’ Phosphorescence and Gasoline in this light. We are in a moment of haziness in the post-pandemicc universe, where we went from intense figuration and realism to work that obsessed over domestic settings and then a return to a more “how do we coexist” style of interaction now to hazy loneliness. A sort of longing to understand memories, where we have come from, how much we have changed and what was the world and our feelings before the pandemic, and maybe more in the reality of…