Jean Jullien is telling me about a trilogy of shows he created about his life on a January day from his studio in Paris, when I realize he might have the greatest output of a contemporary artist I have ever known. I think we can start here. One of the reasons Jullien seems so active is a newfound language he has formulated in the exhibitions he presents to the world. It’s a combination of painting and drawing, sculpture, and site-specific murals that drive what he calls an obsession with creating spaces for narration. Last year, when I spoke with Jean about his stunning museum exhibition STUDIOLO at MIMA in Brussels, he used words and phrases like “de-zooming” and “managing attention”…