Carl Kostyál proudly presents Look but don’t touch, Callum Eaton’s debut solo exhibition with the gallery. Having pursued that particular painterly perfection of photorealism since his time at Goldsmiths (BA Fine Art, 2019), Callum Eaton watched on with a sense of satisfaction when an inebriated attendee of an early open studio session attempted, inevitably in vain, to interact with a two-dimensional depiction of a conventional cash machine. The frustrated fumblings of Eaton’s incapacitated patron recall that renowned Grecian tale of illusionary artworks, Zeuxis and Parrhasius’ contest of artistic artifice. The latter, incensed at the former’s ability to produce a still-life so accurate that birds would fly down in an effort to pick at the grapes portrayed, decided to develop his…