You immediately understand when you walk into Drawings 2003–2023, a beautiful display of Jonas Wood’s drawings and works on paper over the last 20 years, that you are looking at a significant life’s work up to now. Wood has long been situated in memory and space, and the way that he uses the space of Karma’s East 2nd Street gallery in NYC seems revelatory. The framing position almost acts like the way we think of memorites, with certain parts of aging emerging as larger thoughts and some childhood collectibles sort of stuck in between. It is like we are seeing how Wood’s brain is working through the process of his life.