With a strong political mindset and classic British dry wit, the works of Edwin punctuate the routine of the everyday with their aesthetic naivety. Protest has become the sleeping giant in the fabric of the UK. Having spent countless hours walking the streets of East London trying to make sense of the space he inhabits, Edwin’s angsty, politically charged and raw text pieces observe the complacency and mild discontent of a society that is comfortably ignorant and unwilling to challenge the status quo. “Sometimes my work can be an intimate conversation with myself that just happens to be highly relatable,” Edwin says.