The exploration of the human condition has been an intriguing subject matter throughout the history of anthropology, art, biology, history, literature, philosophy, psychology, and religion. But where most of those studies and systems used words to present the pondered and analyzed perspectives or impose conclusions, visual art used images as a form of communication. Not limited by reality or burdened by factuality, freed of contexts and traditions, this universal approach allows for touching on most bewildering phenomenons and “speaking” about the difficult or inexplicable paradoxes through the depiction of the vessel itself.