So Far So Good: Vivid Paintings by Murmure Take a Wry Perspective on the Climate Crisis

Source Colossal  

“Faille (Crack)” (2022), acrylic on canvas. All images © Murmure, shared with permission courtesy of Galerie LJ

Artists Paul Ressencourt and Simon Roche, a.k.a. Murmure (previously), have worked collaboratively for the past twelve years to synthesize a studio-based practice with large-scale street art. In high-contrast acrylic paintings, the duo reference the climate crisis and enduring problems of overconsumption, especially regarding the immense impact that humans have on marine life and rising sea levels. The artists’ new exhibition Jusqu’ici tout va bien, which translates to “So far so good,” approaches environmental catastrophes like thawing glaciers and overfishing from a characteristically sardonic perspective.

Ressencourt and Roche focus on the absurdity of capitalist systems in the face of destruction. Paradoxes abound as surveyors plot developments on a melting ice sheet, supine whales are served up as giant sushi rolls, and oblivious holiday-makers dive from icebergs and wade around shorelines devoid of flora and fauna. “In spite of everything, Murmure favors in their art a form of beauty which contrasts with the cruelty, the stupidity, and the urgency of the situations depicted in their works,” the exhibition statement explains.

Jusqu’ici tout va bien is on view at Galerie LJ in Paris through November 26. You can find more of Murmure’s work on their website and Instagram.


“Whale Sushi” (2022), acrylic on canvas

“Jusqu’ici tout va bien (Banquise)” or “So far so good (Ice)” (2022), acrylic on canvas

“Joyau” (2022)

Detail of “Joyau (Jewel)” (2022), acrylic on canvas

“Whale Maki” (2022), acrylic on canvas

“Marquages (Markings)” (2022), acrylic on canvas

Left: Detail of “Whale Sushi.” Right: Detail of “Joyau”

Detail of “Faille”

Detail of “Joyau”

Detail of “Jusqu’ici tout va bien (Grande Banquise)”

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