Source Juxtapoz Magazine – Juxtapoz Magazine – Home  In Toshio Shibata’s long-awaited first monograph, Day For Night, a series of images capture the legendary photographer’s movement from night to day. The structural concept is seemingly simple: a progression through a sequence of nighttime photographs into a set of images made in the day, but – as…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  On today’s A Portfolio, we look at the moody, noirish paintings of Jordan Kasey. What we love is how she conveys such a mood with these anonymous figures. The Brooklyn-based painter has shown with Nicelle Beauchene in the past, showing The Storm there in 2021, writing “Kasey is equally…

Source artforum.com  WHEN I WAS IN MY LATE TWENTIES, I worked at Electronic Arts Intermix in New York duplicating tapes and DVDs of video art. I had avoided art school, so those weekdays spent in a dim room illuminated

Source artforum.com  It’s rare that the white cube does anything other than what it was intended to do: disappear. But “Precipitation,” Tania Pérez Córdova’s second solo show with Tina Kim Gallery, defamiliarized the space,

Source artforum.com  Nothing could have prepared me for Jenkin van Zyl’s extreme visual extravaganza, the nearly fifty-minute film Surrender, 2023. Not the enormous, room-size, rodent-faced, silver inflatable hellmouth at

Source artforum.com  WAITING IS AN ACTIVITY familiar to most, but in South Africa it carries a particular charge. In 1995, the country officially celebrated its first Day of Reconciliation, marking the supposed unification

Source artforum.com  ANYONE INTERESTED in the history of experimental television in the United Kingdom will inevitably encounter a familiar narrative: It begins in 1982 with the advent of Channel 4, founded with a

Source artforum.com  “Laboratorio de la imaginación social, 40 años” (Laboratory for Social Imagination, 40 Years) was the subheading of this retrospective curated by Carolina Ponce de Léon, dedicated to forty years of