Source Colossal    The human conception of time is limited. We often think in hours, days, and years, units of measurement that are comprehensible when considering our lifetimes or those of generations past. Even decades and centuries, though, are only a minuscule fraction in the timeline of the universe and are wholly inadequate when assessing…

Source Artsy Shark  Professional photographer Kelly Heck explains how to work with photos of your art to optimize them for the web. The post Make Your Art Images Web-Friendly & Optimized appeared first on Artsy Shark.

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Indiana-based rapper and friend of HUF, Freddie Gibbs has always doubled down on talent, drive, and creativity larger than hip-hop. Through diverse collaborations, solo work, and his label ESGN, he’s released music at a prolific clip, earning him the tag “the eternal technician.”

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Night Gallery is thrilled to present Metamorphic, a solo exhibition of new paintings by Danielle Mckinney (Summer 2021 cover artist), marking the artist’s second exhibition with Night Gallery.  

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  “When you think of gangs, you don’t really think of compliment cards and sweaters, but here you have these Richie Cunningham Happy Day sweaters existing in Chicago, and they were printed all over the city. It was a way, not unlike what you saw in the eighties…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Myths are open to interpretations but refuse to be fully locked down. Photographs function in a similar way. The core of what is expressed in an image lies somewhere in the unseen or in its silent associations.

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  One of our favorite shows we have seen in recent months was the solo show that Puerto Rican painter Larissa De Jesús Negrón had at Nicodim in Los Angeles. As we read on her website, “Larissa was born in San Juan, Puerto Rico. Throughout twenty years, she…

Source artforum.com  In 1988, at the age of forty-three, Mara Oláh (1945–2020), who went by the moniker Omara, took up painting as a sort of a healing process following her mother’s death. Her imagery drew directly from