Source Juxtapoz Magazine – Juxtapoz Magazine – Home  For all the attention Los Angeles has received over the past 5 years as an epicenter of contemporary art, there is the question that just simply asks, “Well, what the hell is actually going on there?” It seems like every decade, LA is allowed to give the…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Opening at Thinkspace Projects on March 9th, FRESH returns with a new installment this year, showcasing a vast array of styles and mediums from around the world. The majority of the creatives featured all have solo shows or larger showings ahead with us in 2024 or 2025.…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Renowned for photographs of the female body that counter stereotypical views of feminine beauty, Senta Simond, brings together an exciting new ensemble of videos and photos in her latest work Dissonance, the centrepiece of which is a diptych combining video and still photography.

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Since we first engaged with the works of Rebecca Ness during her time at Yale, you could see she was looking at the world from a different angle. She developed a density in her realistic paintings, looking at her friends and peers with a maximal and virtuoso…

Source Design You Trust  Three-Headed Dragon, circa 1920s Born in 1899 in Kharkov, Boris Artzybasheff was a Russian-American illustrator known for his distinctive and often surreal designs. His illustration career kicked off in 1922 with works for “Verotchka’s Tales” and “The Undertaker’s Garland,” leading to numerous other book illustrations throughout the 1920s. Throughout his career,…

Source Colossal    “A lot of times, I do use notions of cooking and recipes in the way I describe making my work,” Hugh Hayden says in a new short film. “I do think that cooking, as an act of making something, is a metaphor for many aspects of life.” Hayden is well-known for his…

Source Design You Trust  Ukrainian paper artist Asya Kozina has transformed her art in response to the Russian-Ukrainian war. Initially focused on the history of costume and national dress, her work now delves into profound personal experiences and reflections shaped by the conflict. Kozina’s new creations are not just art pieces but symbols of resilience…

Source Colossal   “First Ride” (2023). Photo by Fabrice Gousset. All images courtesy of the artist and Mariane Ibrahim, shared with permission “I see painting as a process, the finished work merely resembling the initial sketch and ideas stretching over multiple canvases. I like my figures to influence each other in some form of dialogue,” says…