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Catherine Wang “When The Music’s Over” @ AMPHI, South Pasadena
Source Juxtapoz Magazine – Juxtapoz Magazine – Home AMPHI Gallery is pleased to present When The Music’s Over – the debut solo exhibition of new works by Catherine Wang. The Los Angeles-based artist’s expressive paintings create threads of tension between nature and built space, moments of joy and danger, melancholy and exuberance. Wang’s still lives…
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Preview: Erin M. Riley’s “Life Looks Like a House For a Few Hours” @ PPOW Gallery, NYC
Source Juxtapoz Magazine – Juxtapoz Magazine – Home P·P·O·W is pleased to present Life Looks Like a House For a Few Hours, Erin M. Riley’s third solo exhibition with the gallery. In a new body of meticulously crafted and powerfully vulnerable large-scale weavings, domestic scenes congeal and dissolve amidst family photos, car crashes, iPhone selfies, and…
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Anthony Cudahy “ceaseless arranger” @ GRIMM Gallery, Amsterdam
Source Juxtapoz Magazine – Juxtapoz Magazine – Home GRIMM is pleased to announce an exhibition of new paintings by Anthony Cudahy, on view at the Amsterdam gallery from August 29 to October 18, 2025. Cudahy weaves imagery culled from photo archives, art history, film stills, hagiographic icons and personal photographs to explore themes of queer identity…
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Six Acclaimed Artists Interpret Ecology and the Landscape for ‘Ground/work 2025’
Source Colossal Across the expansive 140-acre grounds of The Clark Institute in Williamstown, Massachusetts, six contemporary artists have been invited to create site-specific works engaging with the property’s meadows, trails, and woods, while highlighting their individual practices. Sculptures by Yō Akiyama, Laura Ellen Bacon, Aboubakar Fofana, Hugh Hayden, Milena Naef, and Javier Senosiain dot a…
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Preview: Elizabeth Glaessner “Running Water” @ P·P·O·W, NYC
Source Juxtapoz Magazine – Juxtapoz Magazine – Home P·P·O·W is pleased to present Running Water, Elizabeth Glaessner’s fourth solo exhibition with the gallery. In this exhibition, water becomes an inescapable force dissolving the boundaries between body, landscape, memory, and the present in an incessant flood. Glaessner utilizes poured pigments mixed with various mediums and layers of rich oil…
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Parra’s New Metal Edition, Tarzan Interrupted
Source Juxtapoz Magazine – Juxtapoz Magazine – Home Case Studyo and Parra present Tarzan Interrupted, a new enamel edition debuted during the ‘A World in Objects’ exhibition in Málaga. Based on Parra’s 2009 painting, the work reimagines the jungle hero in an unexpected pause, perched on a branch, cigarette in hand in between vine swings. Both playful and contemplative,…
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I’ll Get You, My Pretty, and Your Little Dog Too: A Preview of Gabrielle Garland’s Show @ Miles McEnery Gallery, NYC
Source Juxtapoz Magazine – Juxtapoz Magazine – Home Miles McEnery Gallery is delighted to announce Gabrielle Garland’s first solo exhibition with the gallery, I’ll Get You, My Pretty, and Your Little Dog Too, on view 4 September – 25 October at 511 West 22nd Street. The exhibition is accompanied by a fully illustrated publication featuring an…
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Architecture Converges with the Human Form in Antony Gormley’s ‘Body Buildings’
Source Colossal In Edinburgh, along a stream known as the Water of Leith, six bronze figures known as “6 TIMES” stand amid the current and beside bridges, peering enigmatically down the urban waterway. Similarly, in Liverpool, “Another Place” comprises 100 life-size sculptures made from 17 molds that artist Antony Gormley (previously) took from his own…
