Source Colossal   All images © Tom Hegen, shared with permission Since 2018, German photographer Tom Hegen (previously) has been soaring above regions from western Australia and Senegal to France and Spain as he documents the vivid landscapes of salt production. His mesmerizing aerial images peer down at evaporation ponds that carve the earth into a patchwork of vibrant…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  As the holidays approach, many of us are returning home or gathering with our families again. Maybe it’s friends that gather or maybe it’s solitude that awaits, either way, thoughts are drifting to a different sort of place, one a little further removed from the day-to-day of…

Source artforum.com  Taking its title from the names of two clock manufacturers, “RHYTHM, CITIZEN” unfolds as a series of cryptic, meditative encounters with time. Weaving through the vaulted rooms and colonnaded corridors

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  One of the enduring legacies in the work of Barry McGee is that everything has always been on the table. A surfboard is a piece of art, a found painting can exist next to one of these meticulous, if not raw, originals; frames could be broken or…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  No one is harder to shop for than an artist. Only they know what they want and that’s why your shopping list for them is often just a blank piece of paper. At Legion Paper, they think that’s a great start.

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  “I feel my body has been used against me. Misrepresented and emptied of input. I want it to have some other meaning, different from what the physical presents – or simply get out of the way. I do not subscribe to the expectations imposed on my body.…

Source artforum.com  For the video and virtual-reality installation Pi_ñ_a, Why is the Sky Blue?, 2021, Stephanie Comilang and Simon Speiser lean on the history of the pineapple as an origin myth for a spiritual entity that

Source artforum.com  Giorgi Khaniashvili’s greatest fear may be turning into a stray dog. In the eight-panel ceramic relief Transformation, 2017, the artist depicts his metamorphosis from man, to jackal-headed humanoid, to