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A Portfolio: Raymie Iadevaia
Source Juxtapoz Magazine – Juxtapoz Magazine – Home In conjunction with a solo show at the Pit in LA, To the Ends of the Earth, we dedicate today’s A Portfolio to the works of Los Angeles-based artist Raymie Iadevaia. As the gallery notes, “He says any claustrophobia in these compositions derives from a morning drawing ritual started…
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Karolina Wojtas Embraces Ambiguity in Berlin
Source Juxtapoz Magazine – Juxtapoz Magazine – Home A child stands in a hallway, with their face turned towards the white wall. Their navy-blue neckerchief evokes a school uniform. On the left is a wide-open door. Does it lead into a classroom? Are we seeing a child at play, turning around at any moment to…
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Koak’s “Letter to Myself (when the world is on fire)”
Source Juxtapoz Magazine – Juxtapoz Magazine – Home In the middle of 2020, much of Northern California was on fire. With the pandemic in full uncertain mode, with many of us stuck at home, the skies changed from grey to blood orange, a chilling sort of out of body, out of the world experience that…
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George McCalman: Illustrated Black History: Honoring the Iconic and the Unseen
Source Juxtapoz Magazine – Juxtapoz Magazine – Home If you are one of the fortunate humans who has shared a meal or a glass of wine with artist George McCalman, you know what a privilege that is. McCalman has an energy that is both chemical and radiant, thermal and nuclear. His artistry is often dauntless,…
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June Leaf
Source artforum.com This was June Leaf’s first show in her adopted hometown since the artist’s 2016 exhibition at New York’s Whitney Museum of American Art, “Thought Is Infinite,” which focused mainly on her drawings. And
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Greer Lankton
Source artforum.com Everybody knows the best kind of party is a doll party. I mean the kind thrown by trans women, who at some point in the past decade began using the word doll to describe themselves. The term was not
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“Benjamin Wigfall & Communications Village”
Source artforum.com In 1973, Benjamin Wigfall (1930–2017) purchased a renovated livery stable in Ponckhockie, a primarily working-class Black neighborhood in Kingston, New York, to use as his studio. An admired printmaking
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Richard J. Scheuer
Source artforum.com On a December evening in 1933, an English teenager named Patrick Leigh Fermor boarded a steamship in London bound for the Hook of Holland. Disembarking the next morning, Fermor walked into the snowy
