Source artforum.com  Unionized members of New York’s Whitney Museum of American Art on January 31 staged a protest outside a fundraising event at the museum. Workers greeted passersby and attendees of the Art Party, a $

Source Colossal   Image © Jessie and Katey Every month, Colossal shares a selection of opportunities for artists and designers, including open calls, grants, fellowships, and residencies. If you’d like to list an opportunity here, please get in touch at hello@colossal.art. You can also join our monthly Opportunities Newsletter.   $1,800 Innovate Grants for Art +…

Source artforum.com  THE SWISS INSTITUTE opening for Ser Serpas and Alfatih took place one day after January 24, which a friend told me had officially been declared the most depressing day of the year. I shared this with

Source artforum.com  There’s a creeping sense of unease in “Time Weft,” Joseph Yaeger’s show of twenty-five new paintings, occupying all five levels of the Perimeter’s converted mews-house space. We see the right arm of a

Source Design You Trust  The Chrysler Thunderbolt concept automobile was a revolutionary design when it debuted in the 1950s. It was made of aluminum and featured a retractable, electrically powered hardtop roof, as well as concealed headlights and enclosed wheel wells with no A-pillars. Inside, the two-seater boasted leather upholstery, while the engine was a…

Source Design You Trust  The “Self care” project, created by Ukrainian artist Yuliya Osyka is a self-initiated social project, consisting of 12 illustrated posters dedicated to showing ways to live with depression and care for oneself. The idea of the project came to be when the creator realized how often we may overlook the effects…

Source artforum.com  The early figurative paintings of First Nation artist Daniel Boyd blatantly equated the British colonization of Australia with a piratical heist. “No Beard,” a series he produced between 2005 and 2007,

Source artforum.com  IN LATE OCTOBER, on the opening night of the Alex Katz retrospective at New York’s Solomon R. Guggenheim Museum, crowds of people in a party mood lined the spiral ramp from the ground-floor rotunda