Source Juxtapoz Magazine – Juxtapoz Magazine – Home  On the surface, Heidi Hahn makes paintings about the relationship between the formal elements of her work and the content within them. The slippage around these binaries reveal the necessity of each. Both working together to form a space outside of its object-hood, making room for another…

Source Colossal   All images © Akindele John, shared with permission Nigerian artist Akindele John harbors a profound respect for people of the African Diaspora, which he exemplifies in his vivid, celebratory portraiture. Working in oil on canvas, the artist centers on figures who offer insight into diasporic lineages, as he intertwines historic elements with that of…

Source Design You Trust  Lizzie Campbell is a clay artist and illustrator who has a passion for creating “paintings” based on her favorite films. Her favorite genre to work with is horror, but her child-friendly style often leads to intriguing results. Lizzie has many ideas for future paintings and suspects that most of them will…

Source Design You Trust  In a world where women have fought tirelessly for their freedom and autonomy, it seems the answer to their dreams may come in the form of a robot. A robot that can do everything from answering phones to pouring a cup of tea without spilling a single drop. And who is…

Source Design You Trust  According to an artist: “Today I would like to share with you my comics that are all about that lightbulb life. Sure, they are just everyday objects, but my imagination wanted to give them more credit by giving them a secret life.” More: Instagram, Facebook h/t: boredpanda “These comics first saw…

Source Design You Trust  “Playgroup” – Japanese macaques on Awaji Island, Japan. The gold winner in the behaviour – mammals category. (Photo by Hidetoshi Ogata/World Nature Photography Awards 2022) More: World Nature Photography Awards “Danger in the mud” – a crocodile at Mana Pools National Park, Zimbabwe. The grand prize winner. (Photo by Jens Cullmann/World…

Source Colossal   “Enchevetrement vertical” (2022), 120 x 100 centimeters. All images © Claire Lindner, shared with permission Although fixed in glazed and fired ceramic, Claire Lindner’s voluptuous sculptures are primed for movement as they appear to crawl along walls or sprout upward like the leaves of a plant. Mimicking the spongy texture of living specimens like…

Source artforum.com  In “Ornamental Breakdown,” Bernie Reid’s first institutional exhibition in the United Kingdom, the Edinburgh-based artist has taken the stencils developed throughout his three-decade career and cut them