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The Slowtide x Arto Saari Collection of Beach Towels is Here
Source Juxtapoz Magazine – Juxtapoz Magazine – Home Five years ago, Arto and his family moved to the North Shore of Oahu where he developed a newfound passion for all things revolving around the ocean. The Slowtide x Arto Saari collection highlights a few of his favorite ocean images from his time in Hawaii. Each…
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Patrick Martinez Does Everything Everywhere All at Once
Source Juxtapoz Magazine – Juxtapoz Magazine – Home The amount of material; physically, socially and historically, that goes into a work of Patrick Martinez is dense and incredibly immersive. It’s work that speaks to Los Angeles in both a poetic and aesthetic sense, and then as LA has the ability to take what it makes…
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Pompidou Will Open New Museum in Saudi Arabia
Source artforum.com Laurent Le Bon, president of Paris’s Centre Pompidou, on March 14 signed an agreement with the Royal Commission for AlUla (RCU) to establish a massive branch of the contemporary art museum in the
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Inaugural Benin Pavilion to Debut at 2024 Venice Biennale
Source artforum.com The Republic of Benin will stage a national pavilion for the first time at the Sixtieth Venice Biennale, to take place April 20–November 24, 2024. The West African country’s government revealed that
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John Dilg
Source artforum.com An anonymous fifteenth-century Belgian miniature depicts a battle from the Books of the Maccabees in which the hero Eleazar slays a war elephant whose body is about to crush him to death. The illustration
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Débora Delmar
Source artforum.com Débora Delmar is an astute critic of the aesthetic habits of her own class. Brought up in a cushy golf club in the moneyed southern part of Mexico City, she is observant of the ways in which, through
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Gretchen Bender
Source artforum.com It was a nice touch, installing Gretchen Bender’s TV Text & Image (Image World Version), 1989, so that it faced the gallery’s front window and the nine bulky wall-mounted CRT monitors were visible from
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Adam Higgins
Source artforum.com “My Salad Years,” the title of Adam Higgins’s debut exhibition at Chris Sharp Gallery, was a paean to innocence, channeling the halcyon times spoken of in Shakespeare’s Antony and Cleopatra (1623),
