Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Canadian visual artist Laurena Finéus showcases her Haitian heritage in figurative paintings. Now an MFA candidate at Columbia University, the artist relies on early memories of her childhood in Ottawa and Gatineau, stories from her maternal grandmother in Haiti, as well as a keen interest in alternative…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Mie Yim has been on an absolute ride recently, with 3 solo shows this season, including a recent show, Nightshade, that just opened at Simone Subal. For A Portfolio, we take a look at the 2022 output from Yim, a series of dense and spellbinding works. 

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Anu Kumar, a Melbourne-based photographer, grappled with ideas surrounding place and identity after returning to her birthplace of Kavi Nagar, India, for the first time since childhood. Feeling displaced and unsure of her identity, Kumar turned to photography as a way to connect with her Indian roots.…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Roberts Projects is pleased to present Tidal Wave of Colour, the newest body of work by artist Wangari Mathenge. This series, Mathenge’s first major solo show in the United States, is composed of eight paintings that range from the intimate to the immersive. The title takes its…

Source artforum.com  A woman’s body is a realm of translation: As she brings forms and ideas into existence, she becomes the “text” through which multiple interpretations of the world are made possible. Similarly, the

Source artforum.com  Hardly comprehensible for the layman, the complex web of economic, political, military—and yes, also artistic—relationships within global neoliberalism are at the center of the Zbyněk Baladrán’s exhibition

Source artforum.com  “Des Figures” (The Figures) issues a challenge to a world awash with superficial surfaces, selfies, and screenshots. Thoughtfully curated by Olivier Rachet, the exhibition brings together the figurative

Source artforum.com  Nasreen Mohamedi (1937-1990) is most often portrayed as a recluse painstakingly laboring over her drawings while battling Huntington’s disease. The retrospective “The Vastness, Again & Again” looks to