Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Shulamit Nazarian, Los Angeles is pleased to announce Overtime, an exhibition of new paintings by Kansas City, Missouri-based artist Mikey Yates. This marks the artist’s first solo exhibition with the gallery and his first in Los Angeles. 

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Thinkspace Projects is pleased to present past Juxtapoz cover artist Charlie Immer’s Glow Up and Down in their Gallery II. His spectacular and surprisingly inviting world of candy-coloured-gross-out-flavored mayhem offers truly wondrous visual feasts for those who are unperturbed by oodles of goo, slime, blood and the…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Since he came into the contemporary art consciousness in the midst of the pandemic in 2020, Julian Pace has been playing with form. Not just how a body looks, but also what the memory does to form. When he paints his large-scale canvases, he bases them on…

Source artforum.com  Do you remember the first time you looked out of the window of an airplane? Perhaps a childhood experience of looking down on clouds, your visual acuity sharpened by adrenaline, to gaze at endless fields

Source artforum.com  A number of the deeply political and at times terrifying images that appear in this early-career retrospective, “Mike Henderson: Before the Fire: 1965–1985,” were painted by the now seventy-nine-year-old

Source artforum.com  STANDING IN THE AIRY GALLERIES of the Los Angeles Museum of Contemporary Art on a brisk Thursday morning in March, I thought of the famous Rilke poem “The Panther”: > From endless passing of the

Source artforum.com  Cool blues and vivid oranges, the colors of seas and sunsets, offered moments of sumptuous splendor in Eileen Quinlan’s “The Waves,” an elegantly austere show of eighteen primarily abstract photographs.

Source artforum.com  Just a handful of the fourteen paintings in Josephine Halvorson’s “Unforgotten” called on trompe l’oeil conventions. But with the show following hard on the heels of the controversial “Cubism and the