Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Lehmann Maupin presents You Know I Used To Love You but Now I Don’t Think I Can: There Ain’t No Right Way To Say Goodbye Again, an exhibition of new paintings and works on paper by New York-based artist Arcmanoro Niles. The exhibition marks the first presentation of…

Source artforum.com  The Mellon Foundation in its third survey of museums across the United States and Canada reported that diversity among staff at arts institutions has increased across the board since it conducted similar

Source artforum.com  Part-time faculty at New York’s New School and at the Parsons School of Design, which it encompasses, on November 16 ceased teaching and took to the streets to protest low wages, job precarity, and

Source artforum.com  Christian Marclay likes to play with doors. His early sculpture Armoire, 1988; the door slamming in Video Quartet, 2002; and his series of screen prints Door (The Electric Chair), 2006, are just a

Source Colossal   All images © Quentin Garel and Galerie LJ, shared with permission Through oversized faces of primates and busts of elephant calf and cow, French artist Quentin Garel examines the pomp and gratuitous impulse behind hunting for sport. His large-scale sculptures cast in bronze or carved from wood evoke taxidermied trophies of wild animals. Often scaled…

Source artforum.com  Srijon Chowdhury’s debut solo museum exhibition metes out dizzying variations in style, genre, and scale. Yet his work’s coherence around the themes of life, death, and myth anchors the viewer. Visitors

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  DesignerCon has amassed an undeniable community of loyal and enthusiastic followers. Over the last 17 years, they have been dedicated to the pursuit of and appreciation for art toys, eagerly celebrating the newest releases. This year, DesignerCon provides a plethora of new and exciting, supported by returning…

Source Colossal   All images © Keita Morimoto, shared with permission In Keita Morimoto’s paintings, soft yellow streetlights, LED shop signs, and clinical beams of a public transit stop expose the discomfiting nature of perpetual surveillance. Working in acrylic and oil, the Japanese artist explores the scenes of daily commutes, walks with friends, and trips to a vending…