Source Juxtapoz Magazine – Juxtapoz Magazine – Home  A child stands in a hallway, with their face turned towards the white wall. Their navy-blue neckerchief evokes a school uniform. On the left is a wide-open door. Does it lead into a classroom? Are we seeing a child at play, turning around at any moment to…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  In conjunction with a solo show at the Pit in LA, To the Ends of the Earth, we dedicate today’s A Portfolio to the works of Los Angeles-based artist Raymie Iadevaia. As the gallery notes, “He says any claustrophobia in these compositions derives from a morning drawing ritual started…

Source artforum.com  This was June Leaf’s first show in her adopted hometown since the artist’s 2016 exhibition at New York’s Whitney Museum of American Art, “Thought Is Infinite,” which focused mainly on her drawings. And

Source artforum.com  A partial re-creation of Carmen Calvo’s studio in her survey show at IVAM seemed like an artwork itself, not only because the wooden shelves piled with small plaster pieces, racks lined with mannequin

Source artforum.com  SOMEONE TOLD ME Alex Katz swims every day. It makes sense, the strokes of wet-on-wet paint building up like laps across the canvas, a form of exercise. At the beginning of the show at the Solomon R.

Source artforum.com  Perhaps the most conceptual of treats, cotton candy is a beautiful deception—all surface, textural fluff, and the taste of sweet nothings. Lending its name, en Français, to “Barbe à Papa,” an exhibition

Source artforum.com  VIVIENNE WESTWOOD. Where to start? This writer was born in London, Wembley, Middlesex, to Jamaican parents and raised in Brooklyn from the age of six or seven. Canarsie and King’s Road are miles

Source artforum.com  The mesmerizing art of Grant Wallace (1868–1954), a phantasmagoric amalgamation of theosophical tract, circus flyer, and beauty advertisement—all of which is shot through with a generous dose of science