Source Juxtapoz Magazine – Juxtapoz Magazine – Home  The end of the world is not the end of the world. Humans have existed on Earth for just a fraction of a fraction of a fraction of its existence; the planet will continue to rotate on its axis long after we Homo sapiens sapiens have incinerated…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  As a child, Estée Preda was read Hans Christian Andersen and Brothers Grimm fairy tales every night by her mother who escaped the iron curtain. She lived across the hall from her grand-mother who was prone to night terrors. She would watch out the window from her…

Source Artsy Shark  Although there are many honest art dealers and galleries to work with, there are also people who take advantage of artists. The post Are You Looking for an Artist Agent? appeared first on Artsy Shark.

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Working in a signature modulating gray scale, the late Norwegian photographer Tom Sandberg spent decades rendering the world according to an exacting vision, training his eye on the shapes and forms of the everyday—dark abstractions of asphalt and sea, the hard edges of an automobile, an ominously…

Source artforum.com  Looking at an Anthony Coleman is like hearing a familiar riff in a new song—it takes a moment to recognize the sampled source in a fresh context. In his solo exhibition here, the self-taught,

Source artforum.com  Husband-and-wife gallerists Anne and Herbert Pfeffer on November 18 were sentenced to two and one years in jail, respectively, for selling stolen Picassos through their gallery Belle and Belle. The

Source Colossal   All images courtesy of Mano, shared with permission In Guardians, artists María del Carmen Mendoza Méndez and Jacobo Ángeles Ojeda, of Jacobo and Maria Ángeles Workshop, pay homage to the mythical creatures of their Oaxacan childhoods. The husband-wife duo carves the soft wood of the copal tree into fantastical creatures that reference Mesoamerican…

Source artforum.com  Diana Tamane wields her camera as a means to get to know those closest to her, producing psychological portraits steeped in an alert stillness. In recent years, the artist has turned her lens on her