Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Hashimoto Contemporary is pleased to present Connecting the Dots, a solo exhibition by Los Angeles-based artist Jillian Evelyn. Returning for her second solo presentation with the gallery, Evelyn’s minimalist figures explore the body as form and shape while challenging censorship. Read our interview with Jillian Evelyn here. 

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  Artist Donald Bradford returns to Andrea Schwartz Gallery after a five year hiatus, for his 3rd solo exhibition there. The exhibition “Lazarus Paintings” showcases a selection of 13 paintings from a larger body of work revolving around themes of loss and rebirth – the through line viewers…

Source artforum.com  Fred Eversley has dedicated his five-decade career to abstract sculptural meditations on energy. Working in Venice Beach since the early 1970s, Eversley drew upon his experience as an engineer and

Source Colossal   “Origins,” walnut and feathers. All images © Andreas Senoner, shared with permission Seemingly transfixed in time during a mysterious process of transformation, Andreas Senoner’s mixed-media sculptures capture expressive details in human figures and gestures. “I focus my research on a series of main themes, including metamorphosis, heritage, and stratification,” he tells Colossal. The…

Source Design You Trust  The Inflatables series is a collection of glass objects made by Matthew Szösz in which the artist and designer presents an innovative technique of working with glass. More: Matthew Szösz h/t: thisispaper “Works in the inflatables series are created instantly – pre-fused arrangements of sheet glass are pulled hot from a…

Source Design You Trust  Sometimes the idea of making something extremely weird outweighs the actual usefulness of the item. Take for instance this fake tongue that you hold in your mouth and use it by fake licking your cat with each stroke of fake tongue sticking out of your mouth. More: Amazon h/t: sadanduseless Not…

Source artforum.com  Sculptor and printmaker Lee Bontecou, who gained widespread notice for her industrial assemblages, plush cavity–pocked canvases, and vacuum-formed plastic sculptures of organic shapes, died November 8

Source Colossal   “The Inner Sanctum” (2022), gouache, watercolor, and ink on paper, 100 x 70 centimeters All images © Rithika Merchant, courtesy of Galerie LJ, shared with permission “I’m drawn to works that are rich in symbolism and also have a strong element of storytelling,” says Rithika Merchant. “I love seeing the artist’s hand in the work—I…