Source Juxtapoz Magazine – Juxtapoz Magazine – Home  With recent exhibitions at The Crocker Art Museum in 2020, and Virginia MOCA in 2018, to Schorr’s epically received midcareer survey in 2009 at the San Jose Museum of Art, recognition by the museum world has solidified what the gallery and collecting public have known for decades—…

Source artforum.com  Spencer Finch’s efforts to rediscover and resurrect moments of ephemerality, often through re-creating specific instances of light and color—such fleeting treasures—speak to our instinct to wrest control

Source artforum.com  Major cultural institutions across London are facing extreme budget cuts as funding from Arts Council England moves to suburban areas and smaller cities around the country at the behest of the UK

Source artforum.com  ONE PROBLEM with seeing an exhibition with someone else is that rhythms of looking are so often at odds—either they move too slowly or not slow enough, or pay too much attention to stuff that you do

Source artforum.com  For Galerie Molitor’s inaugural exhibition, Ketuta Alexi-Meskhishvili expands on her photographic practice to meld image and architecture. Dusty Days, 2022, an enormous ink-jet print on three strips of

Source artforum.com  For their latest project, Welcome, 2022, the Slovenian artist collective Kvadratni Meter (“square meter”) have turned the gallery into a vacation home rented out through Airbnb. The back entrance leads

Source artforum.com  A line is a line, even if it’s drawn in the sand. The exhibition “From East to West, Through the Globe, Towards the Moon” launches with selected documentation of Borderline, an epic, nine-part work by

Source artforum.com  Sound, perhaps more than image, is the archive of our intimate memories, the source of our rootedness. The Song, 2022, a short film by the Pakistan-born, Berlin-based artist Bani Abidi, attests to this.