Source artforum.com  Curated by Manuel Segade, the midcareer retrospective of Alexánder Apóstol, “Posture and Geometry in the Era of Tropical Autocracy,” reveals the conceptual coherence and formal brilliance of the artist’s

Source artforum.com  Kateryna Lysovenko’s exhibition “Something for Everyone” draws viewers in with its large eponymous 2022 installation, which centers on a standing painting that curves to form a kind of apse in the back

Source artforum.com  Giorgi Khaniashvili’s greatest fear may be turning into a stray dog. In the eight-panel ceramic relief Transformation, 2017, the artist depicts his metamorphosis from man, to jackal-headed humanoid, to

Source artforum.com  For the video and virtual-reality installation Pi_ñ_a, Why is the Sky Blue?, 2021, Stephanie Comilang and Simon Speiser lean on the history of the pineapple as an origin myth for a spiritual entity that

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  “I feel my body has been used against me. Misrepresented and emptied of input. I want it to have some other meaning, different from what the physical presents – or simply get out of the way. I do not subscribe to the expectations imposed on my body.…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  No one is harder to shop for than an artist. Only they know what they want and that’s why your shopping list for them is often just a blank piece of paper. At Legion Paper, they think that’s a great start.

Source artforum.com  Matthew Ronay’s 2022 sculpture, The Crack, the Swell, an Earth, an Ode, is a polychromed puzzle of cut and textured wood. The roughly twenty-four-foot-long arrangement is segmented and cleverly linked

Source artforum.com  IF ’80S CINEMA experienced a “cannibal boom” by way of Italian exploitation flicks, the ’00s/’10s zeitgeist’s deviant gourmand was the libidinous vampire. At a time when many complained sex was