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Source artforum.com For her solo show “New Flesh, the Feeling of the Evening is Deep” at La Boite, Yesmine Ben Khelil turns her attention to the Carthage oceanographic museum Dar el Hout. The public institution’s poor
Source artforum.com The curtain rose quickly to reveal a quiet stage dominated by a huge rectangular backdrop painted by Alex Katz with puffy clouds arrayed in pink-violet tones, though it was hard to say which colors
Source artforum.com Renee Gladman is a writer and artist preoccupied with crossings, thresholds, and geographies as they play out at the intersections of poetry, prose, drawing, and architecture. She is the author of
Source artforum.com Growing up, Ad Minoliti dreamed of becoming an architect; today, the artist’s stencil-sharp, high-key color abstractions and plush installations consider how childhood is collectively built. As pioneering
Source artforum.com STOP SAYING STUPID SHIT. I write this directive in honor of Vivienne Westwood. Stop saying stupid shit about fashion. I write this directive because Westwood loved writing directives—she printed
Source artforum.com Corporeal forms and abstract shapes collide on unprimed, earthen fields in Kaveri Raina’s breathtaking paintings. The first time I saw them, in a 2019 group show at New York’s Luhring Augustine, their
Source artforum.com In his 1922 poem “The Waste Land,” T. S. Eliot describes an acute aridity: “Here is no water but only rock / Rock and no water and the sandy road.” Giulia Cenci channels this concurrence of dryness and