Source artforum.com  Marian Goodman Gallery has announced that it is moving its headquarters from New York’s Fifty-Seventh Street to TriBeCA, farther downtown. The gallery, in operation since 1977, will take up residence

Source Design You Trust  The impact of Kurt Cobain on the music scene of the early 90s is undeniable, but it’s important to recognize the influence of other artists, particularly those like Daniel Johnston who never quite achieved mainstream success. In 1992, Cobain was spotted wearing a T-shirt featuring the cover image of Johnston’s album,…

Source Design You Trust  Ruth Orkin was a trailblazing photojournalist and filmmaker, whose passion for photography began at a young age. Born in Boston, Orkin grew up in Hollywood during the 1920s and 1930s, and was gifted her first camera, a 39 cent Univex, at the age of 10. It was a gift that would…

Source artforum.com  Aram Saroyan’s one-word poems, like “lighght” from 1968, have the immediacy of images and palpability of sculpture, eliciting an instant affective response. “lighght,” a hurdle for the tongue and mind,

Source artforum.com  LAST SUNDAY NIGHT, the eve of Frieze Week in Los Angeles, people spilled out of the gallery Gattopardo into a strip mall parking lot for a reading celebrating a new collection of writings by Giovanni

Source Colossal   “Doria Pamphilj” (2021), oil on panel, 24 x 30 inches. All images © Gretchen Scherer, shared with permission, courtesy of Monya Rowe Gallery, New York In the maximalist paintings of Gretchen Scherer, you can wander the elaborate halls of the Galleria Borghese outside Rome, or step into a dressing room at Burghley House…

Source Juxtapoz Magazine – Juxtapoz Magazine – Home  We have checking in on the developmnts of the digital and physical collectibles platform FWENCLUB, as our Spring 2021 cover artist, Yusuke Hanai, has been transforming his physical art and character work into the metaverse. Now, a year in the making, the first phase of the project introduces…

Source artforum.com  To see the world through Jochen Lempert’s lens is to see, in delicate and at times near-cellular, detail, nature’s repetition of forms, the incidental mimicries between the elements and living things.