Source artforum.com  Nasreen Mohamedi (1937-1990) is most often portrayed as a recluse painstakingly laboring over her drawings while battling Huntington’s disease. The retrospective “The Vastness, Again & Again” looks to

Source artforum.com  Custodial staff, groundskeepers, and movers at the Rhode Island School of Design ended a two-week strike yesterday after union officials of Teamsters Local 251, which represents the workers, reached a

Source artforum.com  Youn Bum-mo, who has led South Korea’s National Museum of Modern and Contemporary Art (MMCA) since 2019, is leaving the institution nearly two years before his contract is set to expire. His resignation,

Source artforum.com  Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC), a collective of plantation workers from the Democratic Republic of Congo, and Dutch artist Renzo Martens will represent the Netherlands

Source Design You Trust  In today’s world, the availability of various vibrant hair colors has opened up a plethora of options for individuals to experiment with their looks. Cassie Carey, a hairstylist from New York, has leveraged this creative freedom to create stunning hairstyles that are unmatched in their uniqueness. Carey employs her clients’ hair…

Source Design You Trust  Indian artist Gokul Pillai has created a series of works using AI technology to imagine what some of the world’s wealthiest people might look like if they were poor. His inspiration for this project came from the Hollywood movie “Slumdog Millionaire,” which tells the story of a young man from the…

Source Colossal    Art21, the award-winning filmmaking enterprise, is in the midst of its 11th season, which features artists and collectives like Cannupa Hanska Luger (previously), Hank Willis Thomas (previously), and Guerilla Girls. Grouped thematically in three episodes— “Everyday Icons,” “Bodies of Knowledge,” and “Friends & Strangers” —the new season centers around the political landscape in…

Source Colossal   Stumbling upon a coin purse, a lone consumer finds himself in possession of a bit of extra change in the stop-motion animation “Five Cents.” Aaron Hughes created the film by using thousands of market analysis pages from The New York Times, The Wall Street Journal, and The Financial Times, on top of which he…