Source Juxtapoz Magazine – Juxtapoz Magazine – Home  In Toshio Shibata’s long-awaited first monograph, Day For Night, a series of images capture the legendary photographer’s movement from night to day. The structural concept is seemingly simple: a progression through a sequence of nighttime photographs into a set of images made in the day, but – as…

Source artforum.com  Nothing could have prepared me for Jenkin van Zyl’s extreme visual extravaganza, the nearly fifty-minute film Surrender, 2023. Not the enormous, room-size, rodent-faced, silver inflatable hellmouth at

Source artforum.com  It’s rare that the white cube does anything other than what it was intended to do: disappear. But “Precipitation,” Tania Pérez Córdova’s second solo show with Tina Kim Gallery, defamiliarized the space,

Source artforum.com  WHEN I WAS IN MY LATE TWENTIES, I worked at Electronic Arts Intermix in New York duplicating tapes and DVDs of video art. I had avoided art school, so those weekdays spent in a dim room illuminated

Source artforum.com  THE MOST STARTLING SIGHT the viewer encounters in “The Way to Be,” Barbara T. Smith’s retrospective at the Getty Center in Los Angeles, is a hulking Xerox 914 copy machine, looking impossibly new

Source artforum.com  Bari Ziperstein’s ornately patterned ceramics are glossy meditations on ideology and visual culture inspired by Soviet architecture and textiles. Or maybe, with their concentrated, expressively handcrafted,

Source artforum.com  Angelo Madsen Minax’s transdisciplinary documentary practice is characterized by a drive to discover ever more expressive and personalized methods of narrating desire in all its forms. Dense in both

Source artforum.com  “Laboratorio de la imaginación social, 40 años” (Laboratory for Social Imagination, 40 Years) was the subheading of this retrospective curated by Carolina Ponce de Léon, dedicated to forty years of