There’s something queer about Fiza Khatri’s latest paintings, and it’s not the people in them. While the artist in their work to date has already established a reputation for seemingly casual yet carefully executed portraits of friends and others in their social circle—many indeed gender non-normative—there has been a noticeable and growing de-emphasis on people. Indeed, what’s striking in the latest paintings is their focus, not on people, but on plants.