Ania Hobson’s portraits of women, captured in moments of day-to-day life, stand perhaps in contrast to Barbara Kruger’s resounding knell of mortality. Yet this dialogue, between Hobson’s new body of work and the singular Kruger exhibited, reminds us that death, love and fear exist experientially in everyday moments, not as abstract concepts. Quotidian life overpowers symbolism, through the elevation of quiet human actions and moments. The work is being shown together now at Morgan Presents in NYC.