A few minutes after I turned off my recorder when I visited Ruby Neri’s Los Angeles studio last week on the eve of her opening for Staircase at David Kordansky, she reminds herself as much as she reminded me that her work is about all the emotions, responsibilities, expectations, pressure, joys and politics of being a woman in this modern world. This is important in the context of what Ruby has been doing in her career over the course of 30 plus years: as a young art student in San Francisco, she found a voice with graffiti that stood in contrast with her studies at SFAI, althought both excited her. She found a bond with the other artists that would…