It begins with the space. The original, creaking floors of GRIMM’s Tribeca space brings out something special in the viewing of Anthony Cudahy’s new solo show Fool’s errand (a concurrent show at Hales, Fool’s gold, we did not have a chance to see). It adds to the intmacy of the works you are looking at. Cudahy paints emotion and something quite moody, and when you circle the gallery, the floorboards sort of give the feeling that you are trying to quietly not disturb the characters, like you are quite sure if you are supposed to be able to see what is happening in the scenes around you. As the gallery notes, “Throughout his body of work, the artist explores themes…