When you open up the Fall 2024 Juxtapoz Quarterly, our colleague Kristin Farr brings up a caveat when looking (or hearing) about the works of Hannah Wilson. “Embedded in this interview is a required watchlist: Motion pictures that catalyze the arresting paintings of Hannah Wilson.” What perhaps you need to know is that Wilson’s works are dramatic in that they are the in-between moments of film, stills of the often-missed moments of repose and turmoil. Backs of heads, faces turned down, whispers, grimaces, stress. This is the world of Hannah Wilson is investigating.