Titularly, with its citation of the genre of artist monographs, former Juxtapoz cover artist Nicole Eisenman’s exhibition ‘with, and, of, on Sculpture’ at Hauser & Wirth’s Paris gallery explores the artist’s multi-pathed approach to the medium. While Eisenman inhabits discrete studios for painting and sculpture, for her the two practices are deeply connected. (The distinction in loci could be described as ‘messy’ and ‘less messy’). This interrelation is most apparent through Eisenman’s drawings, of which she has said: ‘A line is sculptural, the way it floats in space on a white page. You’re looking at the representation of a dimension and it can be perceived as either two or three dimensional.’